^ Caballero, Martin (September 3, 2015).^ ' Feature for Octo– Travis Scott's 'Rodeo ''.'Travis Scott Finds His Lane in Hip-Hop on Debut Album 'Rodeo ''. ^ a b Krastz, Roger (September 9, 2015).'Review: This Is Actually in Fact, Travis Scott's First 'Rodeo ''. ^ a b Ramirez, Matthew (September 10, 2015).^ a b Turner, David (September 7, 2015).^ a b Pearce, Sheldon (September 16, 2015).^ a b Bisnoff, Jason (September 7, 2015).^ Slingerland, Calum (September 4, 2015).^ Ramirez, Alejandra (November 24, 2015).'Review: Travi$ Scott's 'Rodeo' Is Peppered With Bangers, But Isn't the Wild Ride He Promised'. ^ a b Tharpe, Frazier (September 4, 2015).^ a b Cooper, Matthew (October 23, 2015).^ 'Antidote – Single by Travis Scott'.^ a b 'Travis Scott – Chart History: Billboard Hot 100'.'Travi$ Scott announces release date for '3500' – BLUNTIO'. 'Travi$ Scott, Future & 2 Chainz Come Together For First 'Rodeo' Single'. PARTYNEXTDOOR & Young Thug) & 'High Fashion' (Feat. ^ 'Travi$ Scott Announces 'Rodeo Tour' With Young Thug and Metro Boomin | Complex'.'Travi$ Scott Says His Debut Album 'Rodeo' Is Dropping in March'. 'Travis Scott Explains 'Rodeo' Release Date, Standard & Deluxe Cover Art, Tracklist & Album Stream'. ^ Christopher Harris (September 4, 2015).^ 'Travi$ Scott Announced 'Rodeo' Release Date'.Sales+streaming figures based on certification alone ^shipments figures based on certification alone *sales figures based on certification alone US Top Tastemaker Albums ( Billboard) Ĭertifications Days Before Rodeo Review Region Stuart Innis – engineering, mixing assistance.Apex Martin – additional drum programming (track 5). Zaytoven – additional production (track 3).1500 or Nothin' – co-production (track 14).Terrace Martin – co-production (track 14).Pharrell Williams – production (track 12). Eestbound – production (track 9), programming.Illangelo – production (track 6), vocal engineering.Noah Goldstein – co-production (track 8), engineering, mixing, assistant.WondaGurl – production (track 9), additional production (tracks 5, 16), programming.Frank Dukes – production (tracks 2, 11), additional production (track 4).Metro Boomin – production (tracks 1, 3, 4, 7, 15).Allen Ritter – production, additional production.Mike Dean – executive production, production, additional production, assistant, drum programming, engineering, mixing, mastering.Travis Scott – executive production, production. Some rock stars are better leading bands than going solo.' Matthew Ramirez of Spin stated, 'This is a cold, calculated record lacking in personality, though it certainly tries to deliver something that Scott is incapable of.' Accolades Publication 'I Can Tell' sounds monochromatic without another voice to push this astute curator. Matthew Cooper of Clash stated, 'Yes, the production is razor sharp, the beats are skewed and often very loud which makes them feel important, but in reality, it's all a façade an image.' Kevin Ritchie of Now stated, 'Scott goes for spacey sounds, stoner vibes and vocal filters, but despite the eclecticism, he's too elusive and bland for Rodeo to amount to a stylistic-let alone a subversive-statement.' Sheldon Pearce from Pitchfork stated, 'He is most effective when he harshly distorts his vocals to create texture, and in the company of others he can serve as a welcome change of pace.' David Turner from Rolling Stone stated, 'Left on his own, Scott can grow tiresome. Nonetheless, the originality of Scott's sound within this new movement provides for a strong rookie effort leaving the listener excited for a career that is just getting started.' Trazier Tharpe of Complex stated, 'Travis Scott made an enjoyable album for his fans peppered with undeniable bangers for his detractors.' David Jeffries of AllMusic stated, 'With Rodeo, Travis Scott becomes a designer drug.' Steve 'Flash' Juon of stated, 'Somewhere beneath all the hype and production he does shine through.' Martin Caballero of The Boston Globe stated, 'His versatility, combined with a high-profile guest list, conspires against him among 14 tracks, Scott conjures just a handful of moments that hint at untapped reserves of talent.' Roger Krastz of XXL stated, 'Overall, Rodeo has plenty of bangers and noteworthy collaborations that help bring out a fantastic trap sound that could bleed into the mainstream of hip-hop in no time.' Jason Bisnoff of HipHopDX stated, ' Rodeo 's back end after 'Antidote' begin to mesh together and gets repetitive. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 64, based on 15 reviews. Rodeo received generally positive reviews from critics.
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